05/22/13

Teaching Abroad

Here’s a question for all of the music education majors on this site: how many of you have heard of or know of someone teaching abroad – not the English language lessons used to fund backpack trips though foreign countries or the Department of Defense Schools at US military bases overseas? Have you heard of the the American School in Singapore, London, Tokyo and Paris. What about the International School of Bangkok, Beijing, the Hague, Prague, Quito and Manila? Have any of your professors mentioned the thousands of schools throughout the world that hire US teachers? Probably not. It seems like it’s a secret club that very few educators know about…including your professors.  My wife and I stumbled upon it by chance and our lives were changed forever.

In 1998 after my second year of teaching high school band, we were on a backpacking trip though Europe. In a little village outside of Innsbruck, Austria we ran into another American teaching couple and shared classroom stories over a few beers. It turned out that they were teaching at an international school in Narobi, Kenya (http://www.isk.ac.ke/). Their school had over 700 students and offered the American as well as the International Baccalaureate diplomas. They also told us that there were schools like this all over the world. We had no idea.

We did research over the next few years and decided to make our move in the fall of 2003. By that July we were living in Singapore and working at the Singapore American School (SAS); a pre-k through grade 12 campus with 3900 students. I currently run a middle school band program with 230 students grades 6-8. We have five general music teachers that work with the K-5 students, we have band, choir, and orchestra in both the middle and high school as well as AP music theory. There are over 800 students in our performing ensembles taught by thirteen music teachers.

I have made friends with music teachers from all over the world through my involvement in the Association for Music in International Schools – AMIS (http://amis-online.org.uk/ ). Through this organization I have been able to take students on festival trips to Beijing, Shanghai, Manila, Bangkok, Paris, Rabat (Morocco), and Jakarta. I have been invited to guest conduct international music festivals in Beijing, Singapore, and Kuala Lumpur.

When I was in university, I would never have dreamed any of this was possible. At this point in our lives, we don’t ever plan to work in the US again…and neither do most of the other teachers I talk to who are currently working abroad. Teaching abroad is that good and I can’t believe that it took us so many years to find out about the international teaching scene. I have been doing my best to tell all of my friends in the US about it and when I was invited to post on this site, I jumped on the chance. I want you to know about it so that you have more options. Teaching abroad is not for everyone but for those that have a sense of adventure, I believe that you must look into it. Below I have provided some information that I hope will be useful for you.

Pros/Cons

This list of pros vs. cons is based on my personal experience and I have only worked at one school. I know many teachers at other schools and  tried to provide  anecdotal evidence from discussions with them.

Pros

Salary: Many international schools pay extraordinarily well but it depends on the school and the region. Schools that are for private will pay a lot less than those that are non profit. The best places to make an exceptional salary are in Asia and the Middle East. Most western European schools have low salaries with very few benefits.  There are a some that pay well, but job openings at those schools do not come available too often. I’ve been told that many schools in South America are for profit so the salaries are low, but then again, the cost of living is also very low.

It’s hard to compare salaries when you know nothing about the cost of living in a foreign city. What you have to look at is the benefit package the school offers. For example, at my school, besides the basic salary, we receive an overseas salary supplement each year (extra money for working overseas), a monthly housing allowance that pays for our condo plus we get that balance back in cash of we don’t use the entire amount, a flight to get you to the school when you sign your contract and one home when you contract ends, flights to the US once a year for each family member, free tuition for your dependents, moving allowance,  and the annual wage supplement- an extra paycheck in December. This seems unreal, but,  international schools are private schools that need to attract clients (students). They best way to do this is to hire great teachers and one of the ways to attract teachers to move overseas is with great hiring packages.

Travel/Culture/Diversity - Working overseas has allowed me and my family to experience so many different cultures. The traveling we have done during holidays to over fifteen countries is something I would never have been able to afford while working in the US.  Secondly, we have over forty different nationalities at my school. I have learned so much from my colleagues and my students about their home countries and cultures. With students and friends I have had the chance to  celebrate Hari Raya Pusa, Deepavali, Hari Raya Hajii, Chinese New Year, Singapore National Day, and The Hungry Ghost Festival. I’ve trekked though the Indian Himalayas chatting with sherpas about their home in Nepal, attended a traditional Indian wedding, built lanterns for a festival in Thailand…  The list goes on and on. Growing up in a small town in Illinois I never dreamed any of this. I am truly a global citizen now because of my choice to work abroad.

School Climate – At many international schools the arts are completely supported and the constant worry of having your program cut is not a concern. For many schools, a quality arts program is a great recruiting tool when it comes to getting parents to enroll their child. The students are usually quite motivated and work very hard. If you think about it, many of the international schools cater to foreign businesses that have their executives overseas. These are highly motivated and successful people and their children tend to be the same.

The parents are usually very active in school and support their children in any way possible. They are also usually well off financially and this has increased benefits for your classroom. For example, at the end of each year I send out an email asking 7th grade parents to consider upgrading their students beginner model instrument to something better. I often see the 8th grade students the next fall with Bach strads and Buffet clarinets.

Private international schools can also be quite financially independent. At my school, I have a substantial budget that allows me to purchase enough rental instruments (the larger ones) to give  every student one to have at school and at home. Also, we are not allowed to fund raise at our school and there really isn’t a need. When I took my students on the trips I listed above, I told the parents the price of the trip, and they wrote a check. No fund raising period! Based on my conversions with other teachers in AMIS many of the schools are similar in this aspect.

Oh and by the way… there is no marching band ( I consider this a “pro”). Marching band is a product of the US and is not widely accepted overseas. Even if you wanted to have one, you can’t have a  summer band camp because everyone has gone back to their home country for the summer. I can only think of one intentional school in all of Asia that has a pep band. Your Friday nights are free to enjoy as you wish.

Cons

Stress on the family- If you are very close to your family, living overseas can be stressful. You will miss everyone’s birthday parties and holiday gatherings or you will have to be a long distance observer through Skype. Again, it depends on the school and where it is located, but if you want to work in Asia making it back home is a long and arduous process. It takes my family 22 hours to get to Chicago from Singapore. The jet lag is awful and lasts a week. Conversely, there is a great school in Monterrey Mexico where many teachers can take a road trip to Texas to do their shopping. Location, location, location.

Transient nature of Teaching Abroad – There are two cons in this category. The first is that most teachers that teach abroad move around often. Should you work overseas for any given period of time, you will have to say goodbye to many of your friends. There are some schools where teachers stay put, but that is not the norm.

Secondly, and this applies mostly to music teachers and coaches, it’s tough to build a program.  Companies can decide at the drop of a hat to move an employee and when that happens, their whole family is relocated too. You may lose your 1st chair violin or best trumpet player over the Christmas break. However, this also means you may gain new students at anytime too. One year when I was thinking I was going to have a weak trumpet section, two new good players moved in over the summer and the section turned out to be one of the strongest.

Retirement/Contracts/Tenure- Many schools abroad do not have any forced retirement savings plan. There are no 401K’s or teacher retirement systems. At our school we are handed a lump sum each month for retirement ( I forgot to mention that above in the salary “pros”) and we have to figure out what to do with it. If you are not good with money…this could defiantly be a “con.” This could also be a “pro” because you are allowed to invest your money however you wish.

Initial contracts at most international schools are given for two years and if you are unhappy at a school and break a contract after a year, you’ll have a hard time getting a job at another international school. While there are thousands of schools around the globe, it’s a tight knit community and all the heads of schools seem to know each other. You’ll be blacklisted. When you complete your initial two year contract, for each year following you will probably be offered one year contracts based on your performance. There is no tenure and there are no government regulations to protect you. You work hard because you may not get invited back if you don’t.

You Might Wear Many Hats – I have the luxury of working at a very large school that has enough students to support separate band choir and orchestra programs. I only teach the middle school bands. Many international schools are small and you may have to wear many hats. I have a colleague in Aberdeen Scotland that is the music teacher at the school. It’s a very small school and he teaches all of  music classes from K through 12. This is not a “con” for him and he loves it. However, you need to be prepared that you might be asked to teach just about any music class.

How to Get Started:

If you are interested in teaching abroad, recruiting for happens very early. We found that out the first year  we started to look for jobs overseas. We began the process in March and by then, most of the positions were already filled -especial the music positions. Many international schools have a December 1st deadline for current employees to notify administration if they are returning the following year. Recruiting fairs happen in January and February. A late one occurs in the summer to fill all the left over positions that couldn’t get filled earlier.

I would start by buying the online guide at the “Joy Jobs” website. We started here and found it incredibly useful. http://www.joyjobs.com/ This is a comprehensive guide to finding positions overseas. Next, sign up for a recruiting fair. Many schools will not accept cold emails and only recruit through the fairs. there are two main recruiting firms. Search Associates http://www.search-associates.com/ and International School Services- http://www.iss.edu/education-careers/for-educators/ host the largest fairs. The University of Northern Iowa also hosts a fair http://www.uni.edu/placement/overseas/ . Be aware that there are fees involved to get invited to the fairs. To get an invite, you will have to submit a CV and letters of recommendation to your chosen recruiting firm.  Please note: many recruiting firms may  tell that they don’t offer invites to a fair unless you have a minimum of three years teaching experience. Don’t let this deter you. This is sometimes overlooked for music teachers because these positions can be hard to fill.

The biggest key to getting hired for a school abroad is to be flexible. If you get invited to a recruiting fair, don’t go with the hopes of getting one specific position or with the idea of working in one  specific country. Schools want to save money and sending administrators overseas to recruiting fairs is expensive. If they can fill the position in advance the will. The job you see posted on sites like TIE Online (you can sign up here- http://www.tieonline.com/ to receive immediate notices when jobs are posted) may be filled before you even get to the recruiting fair. Don’t get stuck on teaching in Europe.

There is also a hierarchy to who will get hired first at an international school. If a school is paying for your housing, wouldn’t it save them more money if two teachers lived in the same house? Teaching couples get hired first before single teachers. You may be more qualified than a competitor for the job you want, but your competitor may be more affordable. Be flexible. If you are single, con your friend into teaching abroad and tell the schools you interview with that you will live in the same house. Just make sure your friend is not another music teacher. Your options will be severely limited if you are looking for two music positions at the same school.

I hope I have provided you with some useful information to help you get  started with your career teaching abroad. By no means is the information above comprehensive. As stated before, this is my experience based on my career overseas and discussions with my colleagues.  Every countries laws are different and every international school is different. Do your research, expand your possibilities, and go to the fairs with an open mind.  You won’t regret it.

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  4. College Applications: Prioritizing Schools
  5. #MusEdChat Recap – Teaching Across Curriculum (7-19-10)
About Brian White

I am a music educator in my 14th year of teaching. I am currently the MS band director at the Singapore American School and have been here for the last eight years. Prior to that I was a high school band director in Elk Grove Village, IL and Tallahassee, FL.

  • Stacey

    This article is really interesting and useful to read. Thanks very much as I am about to start teaching music in China!

  • Musicteacher

    Please consider your choices very carefully and understand this is not for everyone.  It is not what you will expect and there are many cons that are not talked about in this article.  Many people don’t make it past a couple of weeks before returning home.  Many horror stories and lost of money lost.  True, there are good schools out there and experiences to be had.  You can always travel during your vacations if you want to travel, but living abroad is a whole other thing.

  • Cctv91

    Beware.  This article is written by a person at one of the very very very few excellent schools out there.  It is bias as the majority of schools and overseas experiences are not like this.  Talking from someone who knows, it can be a very bad choice.  Create a program and something for yourself at home and then travel when you need. 

  • Bwhite Bcw

    Dear Musicteacher,
    This is Brian, the author of the original article. I agree with you that teaching overseas is not for everyone. I also readily admit in the article that my views are only based on my experience from teaching at one international school and anecdotal evidence from many colleagues. I taught in the US for seven years as a high school band director, general music instructor, and glass guitar teacher. I am heading into my 10th year overseas and I feel understand both sides of the equation.

    For the benefit of the other readers of this post, I would encourage you to list some of the “many cons” that I have not mentioned. It sounds like either you or someone you know had some very negative experiences with international teaching. I think it would very useful for other readers to hear some more details so that both sides of the discussion can be presented.

    I also feel strongly about your use of the word “many” in your reply. You use it a lot and I ask that you consider replying back with some examples. “Many people don’t make it past two weeks” is a blanket statement that in my experience is untrue. In my ten years overseas, I have never heard of a teacher arriving at a school only to leave two weeks later. It sounds as if know of several cases where this has happened. If this is the case, I strongly believe those people were not adequately prepared for their transition to a new culture. They either did not do the research or were not provided accurate information from their recruiting agency. I know that there are some bad examples of mismatches between schools, teachers and cultures. I’ve heard a few in my time over here. However, the same holds true for any profession and I truly believe cases like this are not as numerous as your post claims.

    Through my connections with the Association for Music in International School (AMIS), I have met scores of band, choir, orchestra, and general music teachers at festivals throughout Asia and Europe. I can confidently say that 99% of these educators are happy and have enjoyed their experiences overseas. I have met some who are in their first year of teaching and some that have taught overseas for over 40 years. The overarching theme of our discussions about teaching abroad is “we’re having such a great experience, why don’t more people know about this?”

    I also want to make sure we are both talking about the same type of schools. The schools and the recruiting firms I mention are all fully accredited organizations. Singapore American school goes through a rigorous re accreditation process every six years through Western Association of Schools and Colleges. I’m also not talking about english language schools or department of defense schools. These two are a whole other article that I’m not qualified to write about.

    There are some awful schools out there that treat employees poorly. I know from talking with the recruiter from Search Associates that these schools are banned from attending their recruiting fairs and I’m sure the same holds true for ISS. They would not have stayed in business for so long if they didn’t protect their reputation of provide a meeting ground for high quality candidates and excellent schools.
    While there are thousands of international schools around the world, it’s a a fairly tight knit community. Word gets out really quickly if a school starts to decline in the quality of its services and treatment of its employees. This applies to teachers as well. If a teacher pulls a stunt like leaving after two weeks, I highly doubt they will work overseas again. Recruiters will not allow them to sign up for a fair.

    I was attempting in my article to make young educators aware of the amazing possibilities that can be had outside of the US. I believe I provided good evidence and resources that showed living and working abroad is as viable option for many music educators. I am clearly aware that my argument is limited to my own personal experience. A mentioned in the other reply to my article, I did work at one of the “top tier” international schools in the world. Since writing the article I have moved to a new school in Saudi Arabia. The pros and cons I mentioned in the original post still remain the same for me and my family. We absolutely love living and working overseas and the benefits far out weigh the any negative aspect of our adventure.

  • Bethany

    Thank you for this clear and interesting information! I would be grateful to know more about the differences between teaching band in the states to teaching in international schools – do you have trouble getting music, instruments, and other resources? how many concerts do you do per year? Thanks again!

  • LifeisaJourney

    I am not a music major, but I do not think it matters in this case. I
    am from the US and have been teaching abroad in a moderate private school in Indonesia for a couple months now. This year will be my first full time teaching gig. When agreeing to teaching abroad I think one has to really reflect on why they are choosing to teach abroad.  Are you teaching abroad for the money and all of the benefits or are you teaching abroad to experience what it is like to live in a foreign country? 

    Yes, the author of this article is teaching at a “Cream of the Crop” school but who cares unless you are only interested in the money and not the students. My pay is slightly less than minimum wage in the PNW but my housing (nicest town can offer) and transportation (SUV) to the school is paid for and I have very few other required expenses. If I chose I could probably live on $200/month. Once a year the school will pay for me to go home and when I finish my year long contract I get a bonus months paycheck.  My principle and all of the other teachers I work with are wonderful. The students are as well behaved as one can hope for when it comes to middle school kids. Yes, they still talk but for the most part they are focused, ready to learn, and I do not have to hear about Justin Bieber all day long. The parents speak very little English but try their best to be supportive and buy required supplies in a timely manner. Expanding school so still in the process of hiring additional teachers and purchasing supplies; I work like a dog. Is the school I am currently at suitable for a close to retired teacher?  Probably not but for someone just getting into teaching I could not be happier.  My only complaint is the extremely slow internet but it is not the school’s fault the internet is slow everywhere.  

    I know of experienced teachers who work at a posh private school in Seoul and they do get paid very well and they do live in a nice condo and so on. I guess long story short is if you are a new teacher go for it and just enjoy the good and the bad and if you are an experienced teacher looking for all of the bells and whistles do your research.   

  • Tasha

    hi brian
    Interesting article. I am also teaching music at an international school in singapore. If you have some good contacts for job openings abroad (worldwide) let me know. I am already with the agencies you mentioned

  • Ksenia Ilinykh

    Hi! I am studying piano performance for my DMA. I am originally from Russia, and have solid performance background. My husband (has BA in history but works as a morgage processor)and I (+ our little baby) thinking of trying to explore into the international teaching. Are there any need for piano teachers and/or music schools administration attached to general schools?

  • http://www.facebook.com/profile.php?id=677380241 Char Coakwell

    Brian,
    Do you feel that you have to fight for your position as a music educator? Or do many international schools find value in music education?

  • http://www.facebook.com/geri.muller.376 Geri Muller

    I first read this article about year ago from today. Since then I’ve researched a lot about International teaching. I graduated from University last December, applied and attended the Search Associates fair in Cambridge last February, and now I am a grade 2 intern in a homeroom classroom and I teach my own Pre-K music classes in South Korea. It is a ton of work, but I’m loving every minute of it.  I do not have the experience yet to have my own classroom and I’m ok with that. I feel like I belong where I am for now. For all the fresh college grads, I would say go for it. International teaching has literally opened the whole world up for me. 

  • Brian

    Char,
    NO! Both schools I have worked at totally support the arts. In Singapore, the school was proud of the fine arts offerings and used them as a recruiting tool. Remember some private schools are in completion with other schools for clients. Feel free to email me at bwhite.bcw “at” gmail.com if you need any more advice.

  • Bwhite Bcw

    Geri,
    I’m really happy for you! I just wish more teachers knew about this and would be willing to take the leap.
    Cheers,
    Brian

  • Bwhite Bcw

    Ksenia,
    In my experience, no. The schools I have worked at would not have a need to hire a piano teacher on a full time basis. However, there are schools who’s music department features more classroom music than ensemble music. The International Baccalaureate offering at many schools has a large music theory component. Many music classes are theory classes with private lessons before or after school. You might be able to latch on to one of those schools. If you could convince your husband to teach history, you would have a better chance.

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  • Tetro94

    Wow, Hey Mr. White! I’m Taylor Hussey, I was a student of yours about 7 years ago, I played clarinet in the 6th/7th grade advanced band at SAS. I’m a Music Education major now at Sam Houston State University in Texas. A very interesting article to read. I stumbled upon it when looking up teaching salaries overseas. I was wanting to move to Europe to teach when the time was write to go overseas, but I didn’t know they paid less. I thought since Europe was essentially the center of western music that they would pay well. I moved to the middle east (Dubai and Qatar) after Singapore and the music scene there was growing quite rapidly. 

  • Brian

    Taylor,
    Of course I remember you! How exciting that you’re going into music education! What made you want to go into music? 

    I was just in Qatar and probably met your old band director at the American school of Doha…Mark something? 

    The Europe scene- remember, schools in far off places need to draw good educators to want to come there. There’s a school in the middle of the jungle in Borneo that pays an outrageously good salary…because if they didn’t no one would go there to work. If they had no educators they wouldn’t have a school for their employees kids…and then no employee would want to move there for a long duration. 

    Europe…there’s no need to add perks to draw people there. People want to move there for the culture. 

    If you have anymore questions just email me direct at bwhite.bcw “at” gmail “dot” com 

    Cheers,
    Brian 

  • Brian

    I do not feel I need to fight for my position as a music educator. The schools I am familiar with are private institutions and they attract clients (students) with quality programs. They are often in competition with other private schools in their local. The services that many American Schools provide over other international schools is an importance placed on the arts. A strong arts program is a good draw to many western expats and their tuition money. 

  • Brian

    Bethany,
    In the schools I have worked at there re not to many differences from working in the US. With regards to instruments and music purchase, you just have to order a lot earlier as it takes a while to get the items from the US. Having said that, in Singapore, if I ordered locally, and the item was in stock, I received the stuff overnight. 

    The biggest difference…. no marching band or pep band. At lease not that I have heard of. In my ten years overseas I only heard of one marching band at an international school in China. 

    Concerts- as many as you want or don’t want. It depends on the school just like in the US.

    Hope this helps!

  • LaxMM

    Hi Brian, thank you for the article. I have been considering teaching abroad for several years now, even though I’m still in college. I am hopefully graduating in about a year and a half, with a degree in Instrumental music education. I have two questions for you, because you seem quite educated on the topic. 

    One, is that I speak French as well, and I’ve always liked the idea of teaching at the American International School in Paris, or something similar, to experience both the culture and use the language skills. I have a feeling I know the answer, but am I correct in assuming that that’s a narrow viewpoint? Or would it be better to get into the “network” so to speak, and keep my eyes open for a transfer/switch?

    My second question is in regards to first year teaching. Even though I am confident my school and the training I’ve received, I don’t know a teacher that didn’t feel some level of trepidation about their first year (or several) teaching. That being said, in your opinion would it be better to do a few years of teaching in the U.S., to kind of get my feet under me and get the hang of solo teaching before applying for international schools? 

    Thank you in advance for any advice you can give! I couldn’t find an email, and I figured this comment would maybe help another individual. 

  • Bwhite Bcw

    Dear LaxMM,
    You’re quite right about having a narrow viewpoint. I know the former band director at the American School of Paris. He was there for many years and recently retired. They’ve hired in his place and I assume that person will be there a long time as well. The other music positions are probably locked up for many years too. Don’t be set on Europe. There are not a lot of good teaching gigs available there. There are plenty of places in Africa where you could use your French as an advantage for getting hired. 

    As a college grad fresh out of school, the recruiting agencies will probably tell you to go get at least three years experience before they’ll accept you. However, music spots can be hard to fill and sometimes they might go with an inexperienced teacher. I would go with Search Associates and contact Sally Gordon. She’s a former band director and now a recruiter for Search. She can give you the best advice. 

    In my limited experience, I’m guessing you’re not going to get looked at by the big well known international schools. That job in Paris was locked up well before it even became known. In fact, I had been talking to the director years in advance because I knew he was going to be retiring. He contacted me before anyone else. At the time, moving to Paris was not the right choice for my family. When I left Singapore, my position never made it to the recruiting fair either. The top tier schools don’t need to go to the recruiting fairs to fill those specialty positions.

    It all comes down to who you know in the international scene. You’re right, you need to get into the “Network.” It’s a tight knit community where people move around a lot. Connections are made that help you find out about positions before they are posted. 

    See if you can get accepted to a fair, take a job that appeals to you (consider China, the Middle East, or SE Asia), get a few years under your belt internationally, get to know more international teachers, and then see about moving to a school that you really want. Get involved with AMIS (Association for Music in International Schools).  Also, don’t expect that you will only be an instrumental music teacher. You may end up doing general music, choir, and what ever else they throw at you.

    Go in with an open mind. Forget about Europe… because if that’s what you have your heart set on, you will most likely miss out on some other really great opportunities. 

    Cheers,
    Brian 

  • switlee

    Hi Brian,

    I’m also a music teacher in singapore but my contract will be finished this June… any contact school that needs primary music teacher?

  • Rachel

    Wow, I am so inspired by your article here Brian! I have been looking into teaching abroad for some time, and have toyed with either music or ESL. I have my BA in Music (piano performance), and have been teaching piano and voice since ’95. I also am a music minister for a church and direct a choir there. I would be going into this on my own.

    I suppose what I’d like to ask about is if the above qualifications/experience are likely to get me anywhere teaching music internationally, or if I’ll need to go back to school for Mus/Ed to be at all marketable. I did take several music education courses in college, and feel confident in my ability to sell my skills and ability to take over or build a comprehensive music program. However, I know with competitive positions, more often than not those without the proper degree or certificate won’t even be considered.

    What’s your take on this? Thanks in advance for your time! =)

  • Brian

    Rachel,
    I’m glad my article helped you out!

    In my limited experience, schools are moving towards making sure applicants have a teaching certificate…not necessarily a music ed degree. However, your best bet would be to get signed up with a recruiting firm and let them help you. They will know better if your qualifications will get you hired. Many schools might also hire you as long as you are working on getting a certificate. My wife taught for several years in Singapore on a Music Therapy cert. Our new school required that she get a North American teaching cert. She’ll be working next year while getting her cert from the College of New Jersey. They have an international program for expat teachers. They also let you job count as student teaching.

    I recently read an article about recruiting fairs/firms not being as effective any more because of the ease of Skype interviews. I think thats the case with veteran teachers who are already in the system and have plenty of contacts. I recently moved to a new position in Saudi and my job never openend up at a recruiting fair. I knew the superintendant and the band director here and basically had the position a year in advance.

    However, teachers just trying to get into the overseas arena need the fairs to get the exposure. Sign up with Search Associates and select Sally Gordon if she’s still there. She can give you a scoop.

    It’s really late in the recruiting season and there’s probably one more fair left but this one has all the left over positions that no one else wanted or that opened up late.

    Cheers,
    Brian

  • Mike Post

    I’d never even considered teaching abroad. It’s good to see there are many possibilities to teach music!

    Thank you for this article.

    http://www.mikepost.nl/