05/18/12

HOW TO: Get Started on #MusEdChat

The Web 2.0 world has been expanding rapidly over the past year or so, and if you haven’t jumped on board already, now is the time! In addition to the newly-launched MusicPLN, a fast and easy way to get involved in a Professional Learning Network that will get you immediate results is to participate in a #MusEdChat – a weekly twitter chat for, by, and about music educators!

One of the biggest obstacles I have heard for people interested in participating in #MusEdChat that participating requires a basic knowledge of Twitter. In order to combat that issue, I’m going to use this post to walk you through how to get set up to participate in #MusEdChat quickly and easily. Enjoy!
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#MusEdChat Recap – Summer Preparation (6-28-10)

6-28-10

“Quite a few people spend the summer playing or performing for joy instead of work! I love that.” – @girlfromPBO

The #MusEdChat held on June 28th, 2010 discussed ways teachers spent their time during the summer. This spanned from professional development to rest and relaxation. [Read more...]

#MusEdChat Recap- Blogs/Podcasts/Wikis (6-21-10)

“Blogging helps student musicians learn to think critically about their work and evaluate their performance.” – @LindsayMorelli

The #MusEdChat on June 21st, 2010 discussed how music educators use or could use blogs, podcasts and wikis in the music classroom. The topic for the evening was suggested by @katiesw1. [Read more...]

#MusEdChat Recap – Internet PD (6-7-10)

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“[Online professional development] is professional development for us, by us, talking language we all understand.” – @shawdave

The #MusEdChat held on June 7th, 2010 discussed the possibilities of Professional Development via the internet. The chat participants began by discussing some common forms of professional development they are used to. [Read more...]

#MusEdChat Recap – Chamber Ensembles (5-24-10)

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“We find that small group opportunities strengthen our large ensembles tenfold. So worth the time.” – @theresawhite

The #MusEdChat held on May 24th, 2010 discussed the importance of chamber ensembles in the music curriculum. The chat was broken into two different parts: “What is the importance of adding chamber groups to the curriculum?”, and “How can we facilitate these opportunities for our students?” [Read more...]

#MusEdChat Recap – Rhythm (5-17-2010)

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“Rhythm & pulse are the frame that the painting is drawn on – nothing else matters without it.” – @thomasjwest

The #MusEdChat on May 17th, 2010 was moderated by @MusicEdTech. The topic for the evening was: What methods do you use to introduce and improve rhythm reading and writing in your classroom setting? Many great methods and tips were passed along during this chat.

What Is Rhythm?

Rhythm was defined by educators in many different ways. Here are a few that were shared:

“RHYTHM is duration of sound. It’s more than just playing or clapping subdivisions of beats” – @MusicEdTech

“Rhythm is small beats (8th’s for example), big beats (quarters for example) and melodic rhythm on top.” – @rizzrazz

“Rhythm is the combination of long and short sounds.” – @clb1015

“Rhythm to me is the organization of sound and silence and the duration of both is a part of said organization” – @justine_robin

Teaching With Syllables

Alot of good methods were offered by multiple music educators. Some teachers felt that flash cards were a great way to instill common patterns in younger students. Others use words with a certain number of syllables to teach different rhythms. Animals (dog for quarter notes, pup-py for eighth notes), states (Maine for quarter notes, U-tah for eighth notes, Miss-iss-ipp-i for sixteenth notes), and food were all great ways to teach different rhythms to younger students. The participants also discussed multiple syllables for older students to help in learning rhythms. Many educators follow the “one- ee- and- ah” method for counting (One for quarter note, One- and for eighth notes, One – ee- and- ah for sixteenth notes). @mrsbrownmusic suggested using the ta ti-ti method ( ta for quarter notes, ti-ti for eighth notes). The participants seemed to agree that the specific syllables used to teach rhythm doesn’t matter, as long as you are consistent with one of them. Educators also discussed the important of rote learning with younger students. While rote memorization isn’t necessarily the best method of teaching many things, it is important to instill basic rhythms and processes of learning in students while they are younger, and rote is the best way to do this. As stated by @joshlabell,”With rote learning the kids get the sound in their heads first then you can build upon it. I use it in my classroom and private lessons.”

Other Ways to Teach Rhythm

Chat participants discussed many other ways to teach rhythm, many of them including technology. @selfmike suggested putting passages into Finale, taking a screen shot of it, and then incorporating it into a PowerPoint. @justine_robin then suggested teaching rhythm using notation software so that the teacher could change the rhythm on the screen real-time. @thomasjwest also suggested using the resources offered by Smart Music to facilitate some rhythm lessons.  Many of the educators in the chat suggested using warm-ups to teach rhythms. Just as warm-ups can be used to introduce new keys or time signatures, teachers can use them to teach rhythms. Some suggested playing scales in rhythms that may be a trouble spot in songs that students are performing. @shawdave said that he even makes up specific warm-ups to deal with whatever problem the students are having rhythmically. Teachers also stated that it is important for the students to be able to hear rhythms first in order to be introduced to them before they are able to play them.@MiamiFlute offered a rule of thumb for teaching rhythm: “SOUND before SIGHT before THEORY.”

Movement and Improvisation

Educators also discussed the importance of movement. Many #MusEdChat teachers felt that teaching students to feel the beat was perhaps the hardest part of teaching rhythm. So, teachers use movement to help students to do this. @MusicEdTech stated,” I find that kids don’t even know where the BEAT is so I start there. March in place and clap on a beat then move the beat around”.

Improvisation was another effective way of teaching rhythm that music teachers found valuable. Many suggested great ways to do this. Some felt the best way is to form a drum circle, and have students set up a groove while one student improvises. The idea of having students choose from a list to start out was added to this idea. Others suggested having students simply use one or two notes to improvise with only the rhythm.

Assessment Through Dictation

Teachers discussed ways to asses the understanding of rhythm in students. One of the biggest ways to do this is through rhythmic dictation. It seemed that the general thoughts of the participants were to use rhythmic dictation in moderation. @MusicEdTech also suggested that this is a good way for students to hear certain rhythms as well.

Hope to tweet with you at the next #MusEdChat!

#MusEdChat Recap – Advocacy to Administration (5/10/2010)

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“If your program is significant and relevant to students, families, and community, that IS your advocacy.” – @teaching_music

The #MusEdChat held on May 10th, 2010 discussed ways to advocate to members of the administration and community. Many great ideas were proposed from experienced music educators.

What Administrators Want to See

#MusEdChat participants began the chat by discussing what they thought administrators would like to see from a healthy music program. They discussed different aspects like a large number of students involved in the music department, and a quality product from the ensembles the department offers. Multiple educators stated that administrators want to see evidence that students in the department are learning. In addition, participants felt that administrators like to see music departments that are active in the community.

Advocacy to Administration

Participants also tossed around ideas that will show the importance of music programs to administrators. Some suggested to involve administrators or other teachers in concerts if they have the ability to play an instrument. Also, @brandtschneider suggested that we as music educators need to stress growth through measuring and showing it, and ultimately using it as an anchor for advocacy. @thomasjwest suggested doing this by recording an ensemble regularly and comparing them over the course of a semester or the entire year. Tom also suggested having a district-wide concert (all band K-12, for example). This kind of concert not only shows the parents how far students can go if they stay in the program, but it also excites younger students to see the caliber of the more advanced students. The community can also serve a very important part in advocacy. If your department regularly plays for the community and the community is behind your department, they will also step up to save your program if the administration or school board try to cut it. Educators felt it was important to have students perform often in the community and in front of their peers. It is also important to have a good relationship with your administrators. This takes quite a few forms. Some educators suggested personally inviting them to your concerts. In addition, thank them in some way during your concert for their support, whether it be verbally, in the program, or both. It was also suggested to send thank-you notes to administrators when you and your students return from conferences and festivals.

Join the Chat!

We are always excited to have new educators (and college students) involved in the #MusEdChat. If you haven’t participated in any, we would love to chat with you. #MusEdChat happens every Monday at 8:00 PM EDT on Twitter. Learn how to participate here!